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The Book of Mormon Rush

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Promotional terms for participants in the UK (any person who resides elsewhere is not eligible to participate in the 'TodayTix Rush' sales promotion).

The promoter of the 'TodayTix Rush' sales promotion is TodayTix, Ltd (the "Promoter"). This sales promotion is neither endorsed by nor in any way associated with: (i) Apple Inc.; (ii) Google Inc.; (iii) Facebook Inc.; (iv) Twitter Inc.; (v) any owner/licensor of any musical or theatrical performance for which tickets are available to purchase under the 'TodayTix Rush' sales promotion and/or (vi) the theatre in which it is performed.

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The Book of Mormon [287] - LON

Genre: Musical (US and AUS)

Genre: Comedy 

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Summer Theatre Sale

SSay hello to the Mormons and become an all-American prophet at this raucous comedy musical. *The Book of Mormon* tickets are available on London Theatre now.

While *The Book of Mormon* satirises the Christian denomination, it accurately shines a light on Mormon ideas and practices. It’s common for young men to serve a two year mission and spread their faith worldwide — just like Elder Price and Elder Cunningham. Song lyrics also reference the religion, like “Sal Tlay Ka Siti,” titled to emulate Salt Lake City, considered to be the American home of Mormonism.

*South Park* creators Trey Parker and Matt Stone teamed up with Robert Lopez to co-write *The Book of Mormon.* Development began in 2003 when Parker and Stone were noticed by Lopez in the audience of a performance of *Avenue Q*. They went for drinks and quickly conceived the idea of writing a musical based around Joseph Smith, the founder of the Church of Latter Day Saints. 

After winning nine Tony Awards on Broadway, *The Book of Mormon* opened in the West End at the Prince of Wales Theatre since 2013. It arrived in London to instant success, winning four Olivier Awards including Best New Musical. [Find out more about *The Book of Mormon* in London.](https://www.londontheatre.co.uk/theatre-news/news/everything-you-need-to-know-about-the-book-of-mormon-in-london)

### What is *The Book of Mormon* musical about?

Follows the journey of two missionaries who dream of serving in Orlando, only to be told they must serve in Uganda. While in Africa, they share their scriptures with the local community. The locals don’t care about what they have to say: AIDS, famine, and warlords pose a greater threat. Join Elder Price and Elder Cunningham as they spread the gospel and attempt to make every day a latter-day.

Tickets to *The Book of Mormon* are available now. Book your *The Book of Mormon* tickets on London Theatre today.

The Book of Mormon - LON - London Theatre

Book theatre tickets for The Book of Mormon in London's West End. Say hello to the Mormons and become an all-American prophet at this raucous comedy musical.

The Book of Mormon Tickets | London Theatre

Music, missionaries, and mischief combine in one of the best-loved comedy musicals of all time from the creators of South Park. Mormon missionaries find themselves in over their heads in Africa in a satirical but sweet story about finding who you really are. Check out tickets to *The Book of Mormon* at the Prince of Wales Theatre today.  

Did you know that all of the beliefs *The Book of Mormon* musical satirises are real? That’s right, as wild as the show is, it’s based on tenets of the actual holy text. For example, Joseph Smith really believed he translated the Mormon text from golden plates. While the show’s drawn attention for its religious satire, the musical’s message about faith and belief will capture your heart.

Get ready for hilarious songs throughout *The Book of Mormon* like “Spooky Mormon Hell Dream,” “Baptise Me,” and the whistlestop Mormon history song, “All-American Prophet,” and enjoy all of *The Book of Mormon* songs from the Grammy Award-winning score. Find out what makes the musical one of the West End’s biggest hits and longest-running shows today.

*The Book of Mormon* pulls together a cracking creative team. Alongside Trey Parker, Matt Stone, and Robert Lopez who created *The Book of Mormon* musical, there’s excellent direction and choreography by Tony winner Casey Nicholaw (watch out for the tap dancing in “Turn It Off”), and set design by Scott Pask that’s of Biblical proportions.

## What to Watch For:

- When Matt Parker, Trey Stone, and Robert Lopez were writing the show, they spent time in Salt Lake City, Utah in order to capture authentic experiences. Over half of Salt Lake City inhabitants are Mormon.
- The *Frozen* and *The Book of Mormon* connections don’t just stop with Robert Lopez. Josh Gad, who originated the role of Elder Cunningham, went on to play the animated snowman, Olaf, in *Frozen*. 
- Even though *The Book of Mormon* is not directly affiliated with the religion, the Latter Day Saints church wanted to make their mark on the show. The church took out ads in *The Book of Mormon* programs, inviting audiences to read the original text once they’d seen the show. 
- There are popular culture references for Nabulungi’s name, and she’s called different things throughout the show. Listen for all the references as you watch the show; she’ll be referred to as a variety of people and objects beginning with ‘n’.


The Book of Mormon - LON - TodayTix

Exclusive £25 theatre tickets available for The Book of Mormon on TodayTix. The West End classic that will leave you in stitches of laughter.

The Book of Mormon Tickets | London | TodayTix

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Buy tickets for The Book of Mormon at the Prince of Wales Theatre in London. Find official theatre tickets to Musicals with Box Office.

The Book of Mormon Tickets | Box Office

Note: Cast has changed since this reviewIf you follow proceedings in the entertainment arena, you may well know as much if not far more than I do about this much-anticipated show. '<a href="/show/the-book-of-mormon">The Book of Mormon</a>' has already been in residence on Broadway for the past two years, where it has been a huge success, and advance publicity for the show means there can't be many people in the UK who do not know about it already.Given the descriptive nature of the title, it is pretty clear that the show is about the religious group informally known as the Mormons, or more accurately the members of the Church of Jesus Christ of Latter-day Saints. The congregation of this church stretches across the globe thanks to missionary activities which form part of the required service of a male member of the church. So, many of us are accustomed to being hailed in the street or on our doorsteps by young men, mostly American, who are desperate to convert anyone and everyone to their faith.The show begins at a Mormon missionary training centre where a group of squeaky-clean young men in their late teens are preparing to head-off on their missions in various parts of the world. Elder Price (Gavin Creel) seems like the ideal young man to succeed in baptising more than any other missionary on his two-year endeavour. He is eagerly anticipating being sent to Orlando, Florida, which has been his dream-destination since childhood. Elder Price has pin-up good looks, and has all the attractive qualities to make him, well, popular. On the other hand another of the trainees is neither as charming or good-looking as Elder Price. Elder Cunningham (wonderfully played by Jared Gertner) is rather overweight for his diminutive stature, and with his spectacles and curly mop of hair, hardly meets the manicured image of the other missionaries who all seem to have inherited identical Mormon genetics. Elder Cunningham cannot remember the basic sales patter which the missionaries are trained to deliver, and moreover has issues with telling the truth. Since the missionaries are sent off on their work in pairs and must never leave each others' sides, you can see where this set-up is heading. Yes, the supremely confident and smooth-operating Price is twinned with the unreliable and gawky Cunningham. Disaster seems imminent as winner is teamed with loser, and is more or less assured when the ill-matched pair are sent, not to Orlando as Price yearned, but to Africa. The results are more or less predictable, though there are some surprises.<iframe align="right" frameborder="0" src="https://embed.spotify.com/?uri=http://open.spotify.com/track/4YfNmQKnrX5DrlAxSAnMoA" style="width: 330px; height: 80px;"></iframe>Given that this is a satire directed against a particular religious group - who are still very much alive and preaching - this show might have attracted a whole string of legal actions, or at least a heated public exchange between the production team and the Mormons. But apparently not from what I can gather. The Mormons seem to have taken the show in their stride - which implies they see no threat and have, in avoiding a public row, preserved their dignity. But I don't really think they have much to worry about anyway. Sure, the show pokes fun at them and their beliefs. In particular, the actual '<a href="/show/the-book-of-mormon">Book of Mormon</a>' is scoffed at because of the incredulous nature of its origins. However, we see Elders Price and Cunningham not just as Mormons, but as individual human beings who find themselves in an extraordinary situation. In a sense, we laugh with them almost as much, if not more, than laughing at them. The satirical nature of the show is certainly never vicious or unduly cruel, though I found the reference to everyone in Africa having AIDS just the wrong side of bad taste for my liking. But most of the audience laughed at that remark as well much else besides.On the evening I caught the show the cast were word-perfect, the action was flawless and the orchestra was in great form. There was an almost audible buzz from the audience almost as soon as they entered the theatre and they seemed ready and willing to laugh, and they did, and very frequently at that. There was an instant standing ovation at the end which in my experience is fairly rare even with long-running and much-loved shows. And when I say a standing ovation, I am referring to the entire audience and not a few ardent fans who have already seen the show. And speaking of fans, I noticed that a couple of people in the front stalls seemed to have already taken the show to their hearts as they were dressed in the missionary uniform of white shirt, black tie and trousers, as well as a name badge. If that does not signify a hit, I am not sure what does - unless, of course, they were Mormon missionaries.I had to fight my way through hoards of people trying to buy last-minute tickets and there were a few dubious characters outside the theatre trying to buy-up any spares. So, whatever I or any other critic might say about this musical, it seems like it will be hard to dislodge it for some considerable time. In fact, the show is very funny - not the funniest I have seen in the past few years, but certainly one of them and very near the top of the 'funniest' list. It is cleverly written and extremely well-produced, and the excellent, energetic performances give the impression that the cast are loving every minute of it. It is enormously enjoyable, and the laughs keep coming even when the story-line seems about to run out of steam. Like the contents of the <a href="/show/the-book-of-mormon">Book of Mormon</a> itself, this show could well end-up being the stuff of legend.Note: This Review is from a preview performance.<a href="/show/the-book-of-mormon">Book of Mormon Tickets</a> are now on sale."While acknowledging that it is often damnably clever and sharp, I find it hard to warm to the show...The Book of Mormon strikes me as a decadent and self-indulgent musical, and its mixture of satire and syrup ultimately proves repellent." Charles Spencer for Daily Telegraph"I absolutely loved it...songs, though not especially memorable, have bounce and bite and colour." Paul Taylor for The Independent"I'm not sure its crude yet clever package is roll-in-the-aisles funny but it's deliciously entertaining and there is certainly nothing like it in the West End." Julie Carpenter for The Daily Express"Its satire is insistently US college-campus adolescent. I tired of it after ten minutes...This is a cowardly, coarse, cynical show, worth avoiding. Quentin Letts for The Daily Mail" Indecently funny...The music...is generally jaunty and from time to time soars operatically, though only three or four of the tunes are really memorable. Henry Hitchings for Evening Standard"A mildly amusing musical, with some knowingly parodic songs, that takes a few pot shots at religious credulity without ever questioning the need for belief. I had a perfectly pleasant time, but the idea that the show, which won nine Tony awards, is either daringly offensive or a Broadway breakthrough is pure codswallop...For all its rude words, this is essentially a safe, conservative show for middle America." Michael Billington for The Guardian

The Book of Mormon London Review

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*The Book of Mormon* comes from South Park creators__ Trey Parker__ and __Matt Stone__, and *Avenue Q* co-creator __Robert Lopez__. *The Book of Mormon*, winner of nine Tony Awards® and four Olivier Awards, including Best Musical for both, follows a pair of Mormon boys sent on a mission to a place that’s about as far away a from Salt Lake City as you can get. 

The Prince of Wales Theatre opened on 27 Oct. 1937. The theatre was named for the current Prince at the time, the future Edward VII.

In the 1930s, the theatre hosted risqué Follies-style revues. Whilst controversial, the shows proved to be a huge success and the profits made funded the demolition of the theatre and the construction of the new building.

In 1941 the theatre played host to the UK premiere of *The Great Dictator*, Charlie Chaplin’s film that had been banned across most of Europe.

The Beatles also performed at the theatre in 1963 at the Royal Variety Performance for the Queen Mother. Barbra Streisand made her West End debut here in *Funny Girl* in 1966. *The Book of Mormon* opened in London in 2013, and it's played at the West End theatre ever since.

## Prince of Wales Theatre Seating Information

The auditorium has two levels - Stalls and Dress Circle.

The seating is very comfortable and offer good views of the stage due to a noticeable rake in the seating and offset seating, meaning no seat is placed directly behind another.

The Dress Circle offers excellent views of the stage due to the steep rake in the seating. 

## Where is *The Book of Mormon* in London?

*The Book of Mormon* is at the Prince of Wales Theatre in London. The Prince of Wales Theatre is located close to Leicester Square. It's near West End theatres including the Criterion Theatre and Theatre Royal Haymarket.

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The age requirement for this performance is 16yrs+. Anyone aged 16 or 17 must be accompanied by an adult. Photo ID will be required on entry.

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If selected, you will have strictly 30 minutes to claim and purchase £25 Punchdrunk tickets.

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No purchase required to enter. You can only win the Lottery for each performance once. Entrants are selected at random. By entering your phone number you are giving TodayTix permission to contact you via SMS Text, Email or Phone per our privacy policy.

Your participation in any of the lotteries in the series is subject to our standard terms and conditions, which you can view [here](https://www.todaytix.com/terms/uk). The Promoter of this series of lotteries is TodayTix, Ltd.

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To enter the Lottery you must either reside in United Kingdom and/or be able to attend the relevant scheduled performance in London and be aged 18 years or older. Any entries made from outside the UK will be subject to UK law.

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It is also possible to enter by emailing lotteryentries@todaytixgroup.com with your name, e-mail address, phone number, post-code, number of tickets required (1 or 2 tickets) and desired performance dates/times. You can only enter for performance dates that feature within the ongoing lottery draw, no advance entries into future draws will be accepted. 

I entered the Punchdrunk Lottery for £25 tickets on @TodayTix! Tap here to enter: https://www.todaytix.com/london/shows/25388?share=enter

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Company may offer programs whereby the Company would make available certain features of the Services when you share information about the Services through an SNS or click on the “Unlock without sharing” button in the Application. When you are considering purchasing a ticket for a specific show or after you purchase a ticket, if you select the “Share” button in the Application, Company will make available to you a personalized link to a Digital Property with text stating, for example, “Check out {show} on TodayTix! I’m thinking of going…” or something similar, which you may choose to share with your friends via SNS. Once you have shared the personalized link through an SNS using the Application or selected the “Unlock without sharing” button in the Application, Company will make available to you the RUSH feature, which will provide you with otherwise unavailable offers for tickets to live events occurring in the next week. The opportunity to take advantage of these offers is only available to users who share a personalized link to an SNS through the Application or select the “Unlock without sharing” button in the Application.

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Punchdrunk: The Burnt City - LON

Genre: Immersive

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Punchdrunk creates genre-defying experiences for audiences around the world. They blend classic texts, physical performance, dance and award-winning design installation to bring to life unique sensory worlds. *Punchdrunk: The Burnt City* tickets are available on London Theatre now.

Inspired by Greek tragedies Agamemnon by Aeschylus and Hecuba by Euripides, The Burnt City is a sprawling metropolis filled with chance encounters and each visit is unique. Be brave. Follow your instincts. If you find yourself somewhere curious explore it, and if someone catches your eye follow them.

Experience the epic new world from Punchdrunk, ‘the world-conquering theatre rebels’ (Evening Standard), as the greatest of Greek tragedies is transported to a sprawling dystopian labyrinth.

Amidst the moments surrounding the fall of Troy, a mythical world of gods and mortals rises from the ashes. Discover a colossal playground that you are free to explore. Move between the haunting palace of Greece to the pulsating neon back streets of downtown Troy. Follow strangers who emerge from the shadows and seek out tales hiding in the deepest parts of the city.

__'Immersive theatre on an epic scale'__ - The Independent

__‘Rich, vivid, momentous’__ - Evening Standard

__‘Get a ticket ASAP’__ - Vogue

Supported by Porsche as Headline Partner.

Please see your confirmation e-mail for important information about your visit.

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Experience the fall of Troy. Immersive theatre pioneers Punchdrunk return to London at last with a sumptuous new show about a dying city. 
Wander the ruins of Troy in the company’s signature exploratory style. You’ll have an intimate, thrilling experience that is all your own.
Learn more about tickets to *The Burnt City* today. 

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Exclusive £25 theatre tickets available for Punchdrunk: The Burnt City on TodayTix, and enter a world of Gods and mortals.

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Buy tickets for Punchdrunk: The Burnt City at the One Cartridge Place in London. Find official theatre tickets to Immersive Shows with Box Office.

Punchdrunk: The Burnt City Tickets | Box Office

One Cartridge Place is the home of Punchdrunk, an immersive theatre company. On the banks of the Thames, the venue serves as a catalyst for an inventive regeneration for theatre. Punchdrunk currently present their show, *The Burnt City* at the Woolwich-based venue. One Cartridge Place opened in summer 2022. 

## Where is *Punchdrunk: The Burnt City* in London?

*Punchdrunk: The Burnt City* is at One Cartridge Place in London. One Cartridge Place is located in Woolwich. 

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One Cartridge Place

No under 12's are allowed in the standing ticket area. Children between the ages of 6 and 11 are welcome to watch the show but must watch from a seat. Children under 5 will not be admitted.

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Sit down, or stand, at a striking immersive musical taking over the Bridge Theatre. *Guys and Dolls* tickets are available on London Theatre now.

[___This is for *Guys and Dolls* standing and stage tickets. Book *Guys and Dolls* seated tickets here.___](https://www.londontheatre.co.uk/show/25504-guys-and-dolls-tickets)

London loves *Guys & Dolls*. The musical first came to the West End in 1953, with Queen Elizabeth II even enjoying the show. This stylish version combines Golden Age Hollywood glamour with a 21st-century reinvention. With standing tickets, you’ll be swept to Manhattan and Havana all in one night. 

London Theatre couldn’t stop shouting about the show, saying: “ “You’ve simply gotta gamble”. And when it pays off, as [director Nicholas] Hytner proves, the rewards are boundless.”

When Manhattan gambler Nathan Detroit needs to find a new location for his crap shooting games, he calls upon Sky Masterson. The pair settle on a bet: Nathan bets Sky that he can’t take a woman of his choosing on a date. Everything changes when they meet Salvation Army sergeant Sarah Brown. 

### What songs are in *Guys & Dolls*?

The *Guys & Dolls* musical includes Frank Loesser’s jazzy score, including “Luck Be a Lady, “Sit Down, You’re Rocking the Boat,” “A Bushel and a Peck,” and “Adelaide’s Lament.” Listen to cast members Cedric Neal, Marisha Wallace, Daniel Mays, and Celinde Schoenmaker perform the hits. 

Tickets to *Guys and Dolls* are available now. Book your *Guys and Dolls* tickets on London Theatre today.

Guys & Dolls Standing and Stage - LON - London Theatre

Book theatre tickets for Guys & Dolls in London. Get ready to be swept up in Manhattan and Havana all in one night at the Bridge Theatre.

Luck be a lady, tonight! Be taken to the streets of Manhattan and the Havana bars all in one night. Nicholas Hytner directs an immersive, all-encompassing *Guys & Dolls* at the Bridge Theatre, a musical first for the venue. Shoot craps now. Learn more about *Guys & Dolls* tickets today.

This musical definitely rocks the boat. It’s an immersive experience to remember: walk the Manhattan streets, enjoy a Cuban cocktail in a Havana bar, and say your prayers at the Salvation Army all in one evening. Nicholas Hytner directs the groundbreaking version that transforms the Bridge Theatre into London’s hottest party. Stay for the end and hear Marisha Wallace’s recordings of popular *Guys & Dolls* songs. 

Hear all the classics like “A Bushel and a Peck,” “Luck be a Lady,” and Miss Adelaide’s song, “Adelaide’s Lament". An all-star cast lead this energetic *Guys & Dolls* in London: Daniel Mays, Marisha Wallace, Celinde Schoenmaker, and Cedric Neal to name a few. The musical received unanimous approval, with London Theatre calling it “a jackpot... it manages to be both the most exhilarating version of Frank Loesser’s musical and also the most nuanced." Don’t miss your chance to see *Guys & Dolls.* 

## What to Watch For: 

- *Guys & Dolls* at the Bridge Theatre will be an immersive production. Choose to sit in the tiered seating, or book a standing ticket in the pit. 
- Damon Runyon’s two short stories, “Blood Pressure,” and “The Idyll of Miss Sarah Brown” inspired the musical’s creators, Jo Swerling, Abe Burrows, and Frank Loesser.
- *Guys & Dolls* won the Pulitzer Prize for Drama, but they didn’t receive the award as Abe Burrows was suspected to support Communists. When *Guys & Dolls* premiered, the House of Un-American Activities Committee investigated disloyalty in American society. 
- Frank Sinatra and Marlon Brando played Nathan Detroit and Sky Masterson in the 1955 film.

Guys & Dolls - LON - TodayTix [STANDING]

Get the best prices on theatre tickets for Guys & Dolls on TodayTix. Be transported to the streets of Manhattan in this production directed by Nicholas Hytner.

Guys & Dolls (standing) - LON - Box Office

Buy tickets for Guys & Dolls - Standing/Immersive at the Bridge Theatre in London. Find official theatre tickets to Musicals with Box Office.

Guys & Dolls - Standing/Immersive Tickets | Box Office

Would luck be a lady for Nicholas Hytner? His much-hyped, immersive production of *[Guys & Dolls](https://www.londontheatre.co.uk/show/25504-guys-and-dolls-tickets)* is set to run for six months at the [Bridge Theatre](https://www.londontheatre.co.uk/theatres/the-bridge-theatre) — a significant gamble. Well, I’m delighted to report that he’s hit the jackpot with this jubilant revival, which somehow manages to be both the most exhilarating version of Frank Loesser’s musical I’ve seen, and also the most nuanced. 

That combination is thanks to an ingenious staging, building on the Bridge’s previous immersive Shakespeare productions. The audience is in the round, partly seated. The standing audience, gathered in the centre, gets thrillingly close to the action, with hydraulic platforms shooting out of the floor all over the place and neon signs descending from the ceiling.

Bunny Christie’s design basically dances more than the cast. It creates boundless staging opportunities for Hytner: whether it’s a central platform for a big Hot Box number, or a large zigzagging path across the auditorium, or several separate mini-stages acting as different locations. It matches the energy of this heightened, Damon Runyon-styled New York City, and allows for lightning-fast scene changes (occasionally the set-up for the next scene cuts into the current one, as ushers nudge the promenading audience around, but that can hopefully be ironed out over the run). 

It creates a dynamic audience experience, far removed from the previous rather tired West End outing for *Guys & Dolls*. There’s pre-show fun (you can get a rakish hat or a pretzel from a street seller), and immersive elements during the show itself: you might be handed a Save-a-Soul Mission leaflet, or a streamer to wave, or have your drink nicked by a cheeky gambler. It all climaxes with a euphoric dance party, with cast members sticking around to boogie and take selfies with fans. It’s an inspired way to make theatre feel relevant and accessible.

But, as with the similarly thoughtful revivals of *Cabaret* and *Oklahoma!*, this isn’t just audience pandering. Thanks to the intimacy and nimbleness of this set-up, Hytner can also mine the show for psychological detail. 

*Guys & Dolls* is that rare show in which the book is the equal of the score, and this production so joyfully lands all of Abe Burrows and Jo Swerling’s zingers and larger-than-life, deliciously named characters, while also giving them dimensionality.

Crucially, it addresses the inherent misogyny. [Marisha Wallace](https://www.londontheatre.co.uk/stars-on-stage/marisha-wallace)’s Adelaide is no ditzy, marriage-obsessed dupe, who eventually guilts reluctant long-time fiancé Nathan into settling down with her. Instead, this is a couple desperately, carnally in love with each other, however, it’s Nathan who has the mental block. Daniel Mays (mostly known for his screen work, but making a phenomenal musical theatre debut) emphasises how Nathan relishes his status as the ultimate fixer, always staying one step ahead of the law. What happens if he stops running? 

The pair of them bring impressive comic chops but also an inherent sadness to their big rows, especially the wonderfully absurd sequence in which Adelaide admits she’s invented a brood of children for her concerned mother (Mays’s pique that Nathan is just an assistant manager in this fiction is priceless). 

Duet “Sue Me” — often a throwaway gag — is a masterclass in acting through song, supported by the blocking: they grow more physically distanced with each bitter exchange, while still achingly emotionally attached.

Wallace also avoids the easy humorous route with “Adelaide’s Lament,” dropping the exaggerated pronunciations in favour of framing the number as a gentle confession, aimed at the audience right beside her — one friend speaking to another. But she’s just as capable of amping up her performance in the steamy Hot Box stripteases (no coyness here), in which she owns her power and sexuality. 

In contrast to these warring veterans of love are the newly met, opposites-attract pair: Celinde Schoenmaker’s robustly dedicated missionary Sarah and Andrew Richardson’s charmingly insincere gambler Sky. Again, this is framed as an equal journey, not just as a woman who needs to lighten up. 

If anything, the exquisitely clarion-voiced Schoenmaker is the driving force: in “If I Were a Bell” she seems as drunk on life as on rum, tearing open Sky’s shirt and, following some Gene Kelly lamppost swinging, falling into his arms and swimming through the air. When they meet in song, their harmonies intertwine like a warm embrace. 

The boyish Richardson, a smouldering, Clive Owen-esque presence, actually feels like the lost one of the pair. This mainly works nicely, although both performance and vocals need more projection. There’s also one bewildering misstep: the introduction of a stereotypical gay club in Havana. It gets around the tired trope of a feisty Latina starting a catfight, and a bisexual Sky is a fascinating idea, but it’s never actually developed.

I also would have liked more explosive choreography here (the Cuban sequence begins with dancers scattered in the crowd — less impactful at a distance), but Arlene Phillips and James Cousins’s grounded, organic movement is otherwise invigorating, and the visible band gives us a glorious version of Loesser’s peerless score. Plus there are numerous scene-stealing supporting turns: Cedric Neal’s Nicely-Nicely, lending gospel fervour to “Sit Down, You’re Rocking the Boat”; Mark Oxtoby’s fast-talking Benny; the perfect sight gag of Cameron Johnson’s giant Big Jule.

Most joyfully, the happy ending feels earned. Wallace and Schoenmaker’s “Marry the Man Today” isn’t an expression of dubious making-do, but a dawning realisation — by two shrewd women knocking back shots together; fabulous — that there’s nothing certain about life or love: “You’ve simply gotta gamble”. And when it pays off, as Hytner proves, the rewards are boundless. 

*Guys & Dolls at the Bridge Theatre through 2 September. Book Guys & Dolls tickets on London Theatre.*

[![Book Tickets CTA - LT/NYTG](//images.ctfassets.net/6pezt69ih962/3qAtGOdQq9x3k1WcHlaJnw/90ece91bbe47ed07e142c2e43c7a7a3f/BookTickets-250.png)](https://ticket.londontheatre.co.uk/booking/calendar?product_id=25504&content_product_id=25504&venue_id=76)

*Photo credit: The cast of Guys & Dolls (Photo by Manuel Harlan)*

'Guys & Dolls' review – Nicholas Hytner hits the jackpot with this exhilarating immersive revival

Guys & Dolls - LT - 1200

Guys & Dolls - Seated - LON

Guys & Dolls

Read our five-star review of *Guys & Dolls* starring Marisha Wallace at the Bridge Theatre, currently playing through 2 September. Get *Guys & Dolls* tickets on London Theatre.

Nicholas Hytner and Nick Starr spearhead the Bridge Theatre. Having worked together at the [National Theatre](https://www.londontheatre.co.uk/theatres/national-theatre) for over a decade as artistic and executive directors, Hytner and Starr formed the London Theatre Company as part of their efforts to open the largest Off-West End commercial theatre. The 900-seater auditorium is very adaptable and allows shows to be presented in end-on, thrust and promenade formats. 

Production aside, the theatre was praised for its abundance of ladies toilets and its on-site kitchen which, among other things, provides treats freshly baked on site during the interval. 

In 2017, the theatre's inaugural season included a new Richard Bean play *Young Marx*, starring [Rory Kinnear](https://www.londontheatre.co.uk/actor-profile/rory-kinnear) and Oliver Chris, *Julius Caesar* starring Ben [Whishaw](https://www.londontheatre.co.uk/actor-profile/ben-whishaw) and David Calder, and a new play by Nina Raine about the life of JS Bach starring [Simon Russell Beale](https://www.londontheatre.co.uk/actor-profile/simon-russell-beale).

Notable plays at the Bridge Theatre include *The Lion, the Witch and the Wardrobe,* as well as *My Name is Lucy Barton* and *Straight Line Crazy* — the latter two both transferring to New York.

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